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This Jane Austen adaptation has sex appeal and pop culture creed - but
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When Netflix announced its adaptation of Jane Austen’s Persuasion, fans of the novel were “half in pain, half hope”. While there are a large number of Austen remakes, very few are wholeheartedly embraced as novel equivalents, and even fewer are not based on Pride and Prejudice.
The main difficulty comes from the fans themselves: as with many established fandoms, the constant hunger for new material is paired with extremely high standards and expectations.
Directed by eminent theater director Carrie Cracknell and starring Dakota Johnson, Netflix’s Persuasion tells the story of 27-year-old ‘spider’ Anne Elliot, a woman with “claims of birth, beauty and mind”, as she reconnects with Captain Wentworth (Cosmos Jarvis). ), the suitor he had persuaded to turn down eight years earlier because he was a penniless sailor.
Persuasion is arguably Austen’s most mature work. First published in 1817, it was the last novel he wrote and was completed while he was dying. Instead of a romantic comedy about manners, it has the soft, sad tone of a woman looking back on her life and imagining a happy ending she didn’t experience herself.
Persuasion was published jointly with Northanger Abbey in late 1817, six months after Austen’s death.(Provided: Netflix)
However, as Roland Barthes said, the author was dead.
While in the novel Anne is described as a “faded and thin” woman whose “blooming has gone away”, Anne is lively and outspoken.
She delights in her own wits and doesn’t care at all about her future, despite being an aging spinster in a bleeding family. The lack of social capital stems from being the sort of messy millennial who sips wine from the bottle and throws out embarrassing non sequiturs in social situations.
That’s not to say Johnson isn’t an outstanding actress. Best known for playing Anastasia Steele in the Fifty Shades of Grey trilogy, she is captivating on screen and manages to create truly watchable absurd moments.
The real problem is that for most films there is no emotional stake. There was hardly any time to worry that the romance between Anne and Captain Wentworth might never work out; as Johnson’s Anne tells us on almost every occasion, “hope is eternal.”
Captain Wentworth (Cosmo Jarvis) returns from the Napoleonic Wars as a rich man.(Provided: Netflix/Nick Wall)
Even Anne’s romantic rival, Louisa Musgrove (Nia Towle) initially encourages Anne to go after the captain (while providing some of the most fun goofy dating suggestions).
The film also doesn’t trust its audience: character motivations, storylines, and jokes are explained in great detail. Johnson regularly broke the fourth wall, winking and grinning at the audience.
It’s a device that was used brilliantly in Michaela Coel’s Chewing Gum and Phoebe Waller-Bridge’s Fleabag, but it’s overused here. At one point, Anne complains: “There’s nothing worse than thinking your life is falling apart and then realizing you’ve fallen further down” – before actually falling.
Older brother getting to the pointy end – with only five housemates left. And of the five, it was Johnson and Aleisha who dreamed of reaching the final together. WATCH THE VIDEO ABOVE: Best friends are torn apart by Reggie’s shocking expulsion move Watch Big Brother on Channel 7 and free streaming on 7plus >> However, Taras’ ‘beast challenge’ had other plans, nominating a side-by-side partner for eviction. When Aleisha’s name was announced, the desperate housemates left the living room, running outside to have some alone time. “Give him some time,” Johnson said to the other housemates before turning to Taras and asking him: “Are you trying to blackmail me?” Taras nominated Johnson for eviction. Credit: Seven Aleisha hugged Johnson. Credit: Seven “Yes,” Taras said matter-of-factly. “I wanted Johnson home today. If he persists, then my ability to break into the top three is much lower,” Taras said to ...
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