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When she was working for a supermarket, Ann witnessed huge waste products being dumped at the end of each shift. He said employees can’t pick up wasted items at a cheaper price or for free. “It makes me very angry. It makes me question the company’s approach to waste and their environmental impact,” he said. “If stores want to dispose of edible products perfectly, we have to be able to pick them up and use them.” Ann is new to trash diving and says it can be a lifesaver as she struggles to make ends meet. ( provided ) Now Ann is one of the thousands of Australians struggling to keep food on the table as prices rise — and the bins behind those shops are up for looting. “My daughter is ashamed of being ‘poor’ because all her school friends live in a big private house, and their parents drive expensive cars,” she said. “We don’t live on the poverty line, but we live very simply, without the luxuries or advantages that people with more money can buy. We live in small government subsidize

Load Later, Dawes became the inspiration for Kate Grenville astronomer Daniel Rooke di Lieutenant (2008), before appearing as herself, instructs Elizabeth Macarthur in stargazing, at Room Made of Leaves (2020). And at Ashley Hay’s Body in the Cloud (2010), Dawes is one of three characters united by their attraction to stars. Others are 1930s bridge workers and modern bankers. Dawes described Sydney Harbor as having “a few tricks” to its appearance, “like the inside of a telescope”. Despite being separated by time, all three miraculously see the same fallen man. It’s surprising how often astronomy appears in fiction about death. In the work of Kathleen Watson Broken Dream House (1908), astronomer Eric was the only child of a single mother. His career epitomizes his lofty ideals, but his obsession with heroism has devastating consequences. D’Arcy Niland writes about a girl who learns to live without her father at Call Me When The Cross Turns (1957, named after the annual ro