The whimsical, whimsical and wonderful Haute Couture of Paris Fashion Week
Four days of the fashion world’s top designers showcasing their most extravagant designs are over, with flowers, balloons and live horses on display on the Haute Couture runways.
Dior’s line by Maria Grazia Chiuri kicked off this week for the fall/winter 2022-23 collection with a simple and elegant design.
The stage set was created by Ukrainian artist Olesia Trofymenko, with a collection featuring everything the average person could expect from a Haute Couture.

Some describe the Iris van Herpen collection as “futuristic” and like from “Marvel Movies”: They weren’t wrong.
The show, entitled “Meta Morphism”, is also a milestone for the award-winning couturier, marking the 15th anniversary of its namesake fashion design house.

It may have been Iris van Herpen’s birthday but Giambattista Valli brought balloons.
In fact, they have so many balloons that it would be easy to mistake the brightly colored runway for a seven year old’s birthday.


On the Elsa Schiaparelli runway, she asked the age-old question: How do I get my partner to buy me flowers?
The answer is simple: No, be the wreath itself, in her collection entitled “Shocking! Elsa Schiaparelli’s Surreal World”.


The second day Chanel treated audiences to more dangerous shows, forcing models to walk down the stairs in the name of fashion because walking in heels wasn’t dangerous enough.

Alexis Mabille also got a memo about being the flower you want to be.
[Picture: Mabille]
Giorgio Armani ended the day with his favorite early 2000s blue-light disco combination: a dress over pants.
This couture season, the Italian fashion legend wants to “make new space for sparkle and frivolity”, inspired by the universe of Polish Art Deco painter Tamara de Lempicka.


The third day brought some interesting designs from the Olivier Rousteing collection from Balmain for Jean Paul Gaultier.
Rousteing asked the model to wear a conical maternity bra in black and flesh, a nod to support lesbians who have medically assisted reproduction, something the French parliament allowed last year.


The Elie Saab collection appears to be from a fantasy film, featuring pastel colors and glittery dresses that the designer is famous for.

Franck Sorbier took the runway outside, added some power and unicycles and gave us permission to take off our high heels in the name of fashion.


The final day of Haute Couture made Fendi by Kim Jones want to “get away from Rome” with creations that drift between eras, cities, memories and cultures, starting in Japan.

One of the last shows was Yuima Nakazato’s fall show, aptly titled “BLUE”.
The design emerges from the distant Star Trek planet in an abstract blue blob that the model travels through.
Nakazato’s work revolves around technology, and the house says he uses non-gender creations to “explore the future of clothing”.


Day four concludes Haute Couture week, the ancient Parisian tradition of producing clothes at exorbitant prices and made to size for the world’s richest people.
Designers return to fashion week in September for their Summer/Spring collection.
ABC/AP
Posted , updated
#whimsical #whimsical #wonderful #Haute #Couture #Paris #Fashion #Week
Comments
Post a Comment